Autumn TV Recommendation: Chilling Adventures of Sabrina

I’m four episodes into this show and I’m feeling a lot of things. It’s not perfect by any means. Like Riverdale, it’s taken a story we know and love, and given it a dark modern twist. I guess it’s aimed at a YA audience and that might be why I don’t love it as much as I want to. Yet, anyway.

That said I’ve only dipped my foot in so far and there are a lot of things I do like, so I’m going to keep on going. The upside is that it’s come out at just the right time of year – and it’s a show my husband will actually willingly watch with me.

Chilling Adventures of Sabrina (2018)

IMDB Synopsis

As her 16th birthday nears, Sabrina must choose between the witch world of her family and the human world of her friends. Based on the Archie comic.

Sabrina Spellman (Kiernan Shipka) isn’t like most girls. She’s half-witch, half-mortal for a start and as her 16th birthday approaches, she must make a decision that none of us have ever had to make: sign herself over the the Dark Lord himself in exchange for unimaginable power or… not.

Meanwhile, there’s the issue of her boyfriend Harvey, and friends Susie and Rosalind (Lachlan Watson and Jaz Sinclair) to consider. How’s she supposed to leave them all behind to start a new life at witch school? Especially when Susie’s being horribly bullied.

Can she conceivably live a normal mortal life or will her magical side win out? These are the things Sabrina is working through with a little help from her aunts and her cousin Ambrose (Chance Perdomo). I think he’s her cousin.

I adore Zelda and Hilda. Ambrose too is delicious and a welcome addition to the Spellman household. Salem, Sabrina’s familiar so far is mute which I find disappointing but I guess it’s to be expected in this contemporary retelling. Still, it’s disappointing as he always used to get the best lines in Sabrina, the Teenage Witch.

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I’m also quite enamored with Mary Wardell (Michelle Gomez), Sabrina’s teacher who is currently possessed by a demon who feasts on male flesh (yay). Although there is sure to be more drama afoot, at the moment she is an ally of the girls’ at school, advocating their women’s group and now, their banned books club.

And finally, the Weird Sisters, the mean girls who rule witch school. They’re so gloriously bitchy and wonderful. I expect big things from them. So yes, there is a lot to love so far and with so many TV shows, it’s more about the supporting characters than the main ones. I’m not quite sold on Sabrina the protagonist yet but there is time.

I’d like more magic, more bitchiness and less romancing Harvey. I want less school unless it’s about the feminist women’s club and I want more Madam Satan.

This show is proving to be very inter-sectional and feminist, I can only hope that continues. There have been some great lines while the whole concept of Sabrina not handing over her freedom to the devil, even if he can give her all the power and magic in the world is an interesting one. It’s bold to say no to the big man himself, and Sabrina is ruffling feathers left and right.

As she says herself, she wants freedom AND power. And there’s nothing at all wrong with that. I, for the record, would grab power and sign over my name in a heartbeat.

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What are you watching?

The Witch (Film) Review

Or: Stone the Crows!

This week features a film we’ve both already seen but I feel like we come back to it a lot, much like The Babadook in discussion and certainly in comparison to other movies. Since it’s free for all month and there’s no way I could complete with last week’s joyful pick, I figured this might be fun to review. Or perhaps fun isn’t quite the term. Try harrowing, haunting, ominous AF.

*Spoilers*

The Witch (2015)

IMDB Synopsis

A family in 1630s New England is torn apart by the forces of witchcraft, black magic and possession.

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My Review

New England in the 1630s and William (Ralph Ineson) and his clan have just been booted from their home due to differences in religious opinion. Basically, William interprets The New Testament one way and every one else another. The fam – William and his wife Katherine, son Caleb, daughter Thomasin and the twins Mercy and Jonas – relocate far from the plantation and build their own basic farm in the woods.

Shortly after their arrival, Katherine (Kate Dickie) gives birth to her fifth child, baby Samuel. Shit hits the fan when Thomasin (the really v. good Anya Taylor-Joy) is playing peekaboo on the outskirts of the woods with the baby when he disappears. Off camera we, the viewer, learn quickly of Samuel’s fate (it ain’t a good scene, man) but the family do not and there are varied opinions as to what has become of Samuel – witch or wolf being the two options.

Katherine is devastated and spends her days crying in bed as any mother would. William, sick of nothing growing in the farm, determines than in order to survive, the men will have to learn to catch their own food. He takes his son Caleb hunting and while alone he tells him that he sold Katherine’s silver cup to buy hunting supplies. Sadly the hunt does not yield much and family life is even more tense.

All the while the twins spend an abnormal amount of time goading the family goat, Black Phillip (voice by Daniel Chaudhry). We’ll come back to him later.

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So the finger of blame is pointing squarely at Thomasin. When Katherine finds her cup missing she insinuates that Thomasin has something to do with its disappearance too. Sure, everyone blame the baby-loser. William and Katherine argue into the night about sending her away to serve another family.

Side note: Let’s be real this isn’t a cheery yarn.

Tired of the misery and wanting to do something to help his family, Caleb (Harvey Scrimshaw) sneaks out into the darkness to try his hand at hunting again. Thomasin follows him and demands to go along or she’ll grass him up to their dad. While in the woods the pair are separated (Thomasin is knocked unconscious), the dog is ripped apart by unknown forces and Caleb has an encounter with a seductive witch. Once again Thomasin is forced to return home without a sibling and the family is fraught.

When Caleb turns up later, delirious and naked, Katherine is convinced that witchcraft is at play (you think?) and prays over Caleb. Unfortunately, our boy is not long for this world and shuffles off, not before throwing up an apple and presenting a beautifully serene monologue. In the melee, the twins get upset because they can’t remember the words to the Lord’s Prayer and accuse Thomasin of being a witch. In retaliation, she tells her parents about their incessant chatter with Black Phillip.

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To shut them all up William locks the remaining children in the goat pen with the big man himself. Later they witness an old witch drinking the blood from another goat.

I shan’t spoil the ending but there are more fatalities, some fantastic Black Phillip dialogue and a distressing breast-feeding scene which I can feel deep inside my core when I close my eyes. Let’s just say by the end all the paranoia and the ominousness pays off.

Witches. Witches everywhere.

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My Thoughts

I couldn’t love this more. It’s such a great example of a powerful modern horror and it ticks all my personal boxes. Everything about the way it looks, from the blue-tinged filter to the stark landscape works in its favour, while the tall trees framing the farm land add to the feeling of being forever watched. I actually feel cold and uncomfortable watching this – and I like it.

All the performances are spot on but Anya is incredible here, all doe-eyed and on the cusp of womanhood. The conclusion is deeply satisfying and stunning, I think. It makes me want to shed my undergarments and join a coven.

In terms of theme, The Witch explores the concept of persecution against women (but of course), female empowerment, black magique, puberty, familial ties – so many topics and its open to your own interpretation too. So make of it what you will but check it out please, I love.

My Rating

4/5.

What did my favourite witch make of this? Would she dance naked with it around the bonfire or feed it to Black Phillip? Find out here, obvi.